Lexicography (noun.)

Definition: The collection of varied meanings for single terms.

Also referenced as: Lexicon (noun)

Related to: Controlled Vocabulary, Language, Ontology


Chapter 1: Identify the Mess | Page 15

Things may change; the messes stay the same.

We’ve been learning how to architect information since the dawn of thought.

Page numbering, alphabetical order, indexes, lexicons, maps, and diagrams are all examples of information architecture achievements that happened well before the information age.

Even now, technology continues to change the things we make and use at a rate we don’t understand yet. But when it really comes down to it, there aren’t that many causes for confusing information.

  1. Too much information
  2. Not enough information
  3. Not the right information
  4. Some combination of these (eek!)

Chapter 4: Choose a Direction | Page 90

Understand ontology.

If we were to write a dictionary, we’d be practicing lexicography, or collecting many meanings into a list. When we decide that a word or concept holds a specific meaning in a specific context, we are practicing ontology.

Here are some examples of ontological decisions:

  • Social networks redefining “like” and “friends” for their purposes
  • The “folders” on a computer’s “desktop” you use to organize “files”
  • The ability to order at a fast food chain by saying a number

To refine your ontology, all you need is a pile of sticky notes, a pen, and some patience.

  1. Find a flat or upright surface to work on.
  2. Write a term or concept that relates to your work on each sticky note.
  3. Put the sticky notes onto the surface as they relate to each other. Start to create structures and relationships based on their location.

Chapter 6: Play with Structure | Page 127

We combine taxonomies to create unique forms.

Taxonomies shape our experience at every level. We use taxonomies to make sense of everything from systems to objects. It often takes multiple taxonomic approaches to make sense of a single form.

A Form is the visual shape or configuration something takes. The form is what users actually experience.

Even a simple form like this book uses several taxonomies to help you read through the content, understand it, and use it.

A few taxonomies in this book:

Chapter 6: Play with Structure | Page 130

Ambiguity costs clarity; exactitude costs flexibility.

The more ambiguous you are, the more likely it is that people will have trouble using your taxonomy to find and classify things.

For every ambiguous rule of classification you use or label you hide behind, you’ll have to communicate your intent that much more clearly.

For example, what if I had organized the lexicon in the back of this book by chapter, instead of alphabetically? This might be an interesting way of arranging things, but it would need to be explained, so you could find a term.

The more exact your taxonomy becomes, the less flexible it is. This isn’t always bad, but it can be. If you introduce something that doesn’t fit into a category things can get confusing.

Because there are many words for the same thing, exact classifications can slow us down. For example, I recently tried to buy some zucchini at a grocery store. But it wasn’t until the clerk in training found the code for “Squash, Green” that she could ring me up.

Chapter 6: Play with Structure | Page 141

Hypertexts bridge taxonomies.

We use hypertext to connect things without necessarily placing them together.

Hypertexts are fundamentally different from hierarchical, heterarchical, and sequential taxonomies, because they don’t change where things are located, just how they’re found.

We use hyperlinks to allow users to jump between taxonomies instead of duplicating or moving content. For example, we might hyperlink the bolded words throughout this book. If a user clicks on one of them, we could take them to a definition in the lexicon. We’re moving the user to the content instead of repeating it.

A signpost directing you to a store around the corner is also hypertextual, because it sends you to a specific location without changing the location of the store.

Similarly, websites use hypertext to link to content without needing to repeat it.

Chapter 7: Prepare to Adjust | Page 149

The sum is greater than its parts.

We need to understand the sum of a lot of pieces to make sense of what we have.

For example, let’s say we’re working on bringing a product to the market. To support this process, we might create:

These are all important pieces individually, but we need to look at them together to answer questions about the whole such as: